ina-gartens-weave:

v1als:

ina-gartens-weave:

v1als:

v1als:

not to start drama in the history fandom but some of yall out there have really bad opinions and also no critical thinking skills

also while I’m here: historical figures aren’t your fandom faves. they’re real people who had profound and often terrible effects on other real people. you can’t apply fandom logic to them. you can’t fill in the blanks with no evidence other than you like the idea. you can’t vilify some of them while simultaneously stanning over “”misunderstood babies”” who committed equal atrocities. and perhaps most importantly of all, you can’t treat real history as “canon” and develop AUs where your fave is exactly how you want them to be with none of the nasty bits attached. that’s not how you read history. that’s how you get a painfully obvious bias which makes your conclusions and contributions useless.

it’s ok u can say hamilton

full disclosure i was talking about the soviet union idk what’s going on in the hamilton sphere and i wanna keep it that way

you’re talking about what

captainsnoop:

captainsnoop:

say what you want about elon musk but you gotta admit it’s extremely funny that the rescue team got those boys out before elon could even finish masturbating all over his shitty little escape pod 

like he was hemming and hawing over what kind of music to load it with and the thai rescue teams just. got the job done normally. without him. he contributed jack shit and his shitty little submarine was rendered useless by completely standard scuba gear and a few determined workers. 

dude tried playing the white savior just got blown the fuck out by people who actually cared about what was going on 

the people replying to this are wild 

their go-to thing is “well what did you do to help” as if elon himself did anything to help. at all.

here’s what happened: he heard about the tragedy on the news and immediately tried to make it about himself. he publicly announced he was going to swoop in and help before consulting anyone, threw a tantrum when the thai rescuers declined his offer because they knew what they were doing and didn’t need an expensive, impractical escape pod to do their jobs, and now he’s STILL making the issue about himself by ragging on the rescuers for refusing his help.

i get it. he’s rich. he makes spaceships. he lives the way you wish you could live and does the things you dream about doing with his money, but he’s still an egotistical dickhead. he underpays his workers, wastes money on useless ventures, and any time he does anything charitable he does it for PR purposes.

if he wanted to help people he wouldn’t wait for opportunities to spontaneously show off, he’d actually actively be helping people. he’d be using his money to fix broken roads, fund schools, fix flints pipes, stuff that’s been a problem for a long time. you don’t have to wait for an opportunity to help people, there’s always people in need. 

elon doesn’t do that. he makes expensive toys for his own amusement. he’s not interested in helping people. the story about the boys in thailand happened to grab his attention and he thought “i bet i can make a toy for that.” 

and that’s what he did. he made a highly publicized toy for himself and then threw a tantrum when the actual rescuers declined his offer to swoop in and save the day with an impractical toy and he is still throwing that tantrum now that the boys are safe. 

find better heroes. 

birianagrande:

when you’re a bi woman, you grow up fully expecting to spend your life with a man. when you’re young that doesn’t seem like a bad thing because you do like boys! boys are cute and make your heart do flips when they give you attention and show you kindness. it feels right that you will spend your life with one. you don’t think about how you feel around girls, because you think it’s normal. you don’t question why you have an urge to be affectionate with the girls in your life, why you are so fixated on pretty girls, why you want to be friends with the girls you think are cute but you’re too nervous to talk to them. you don’t question it because you like boys. but when you get older you realize that not every girl feels like you do about other girls. you hear the word lesbian spat as an ugly word, the idea of liking other girls is talked about like a disgusting thing. you realize it’s not seen as normal to want to kiss other girls or to fixate on the pretty girls in your favorite shows rather than the boys. so you focus on boys. 

when you get older, boys are rude and crass and you feel like you should appreciate them if they treat you with an ounce of respect, but the girls closest to you still treat you with kindness and you feel more comfortable with them than you ever have around boys. you start learning about gay people, and that not everyone thinks it’s a horrible thing, but you still know that you like boys, so you don’t think about it. you finally hear the word bisexual, learn that there are people who are able to like both boys and girls. you think that might be you, but you probably like boys more. liking boys has always come naturally to you, so what if you love being around girls? you probably couldn’t feel romantic feelings about them. plus the word bisexual is wrapped in negative thoughts, it’s not real, it makes you a slut, you just want attention, you’re in denial. but time passes and you think that maybe you are bi, but you don’t want to tell people because you think you might just be convincing yourself of an attraction that isn’t there. but it is, and you find yourself thinking about kissing girls more. having sex with girls too. but that’s wrong, you shouldn’t think of girls that way, especially straight girls. that makes you creepy and predatory! no better than the boys you have started to grow wary of. you’re lying to yourself, you’re straight. you are going to end up with a man anyway, your mom says it’s just a phase, she’s probably right. but you start to see girls in relationships with each other on tv, online, some in your school. and you want it. you think it looks real and beautiful, like the most comfortable thing you could do. so maybe you could have that. maybe you can love girls and hold their hand. maybe your attraction to men doesn’t mean you have any less of a capacity to love a woman. you can picture it now. but you will marry a man, of course you will marry a man. but what if you don’t? what if you could have a wife? what if you grow old with a woman and love her more than anyone? what if you don’t have to think of men as the default. suddenly the word “wife” is the best word you can imagine yourself saying. you are attracted to men, but you love women and can spend your life loving one. there is nothing more healing for a bi woman than realizing that saying the phrase “my wife” is a reality you can have, a tangible reality, and one day you can get there.

Sick Amazon ‘elves’ face sack

rhythmic-idealist:

anduin:

thatdiabolicalfeminist:

‘The retailer, which last year made more than £6bn of revenues in
Britain, has a disciplinary system under which points are accrued for
illness. Workers are issued a penalty point for each episode of
sickness.

Workers are told that more than one point will result
in a “series of counselling and disciplinary meetings” and between four
and six points can result in dismissal.

In one case, a woman who spent three days in hospital with a kidney
infection was docked two points, reduced to one on appeal, despite
providing a hospital note.

The system has been revealed in an investigation by The Sunday Times at Amazon’s sorting depot in Dunfermline, Scotland.

The
undercover reporter was paid £7.35 per hour by an agency that supplies
workers to Amazon, but was left with less than the minimum wage after
paying £10 for the agency’s bus which took her to the site 40 miles from
her home in Glasgow.

It emerged this weekend that some low-paid
workers are camping out in woodland near the sorting depot to avoid
paying the bus costs and ensure they are left with more than the minimum
wage…

The reporter obtained a job with PMP Recruitment, one of the two main
agencies that hires and supervises workers at the Dunfermline depot.
The investigation found:

  • Workers being threatened with dismissal
    if they accrued too many points for illness, late attendance or
    absence, or for making too many errors or failing to hit productivity
    targets.

  • A claim from a worker in Amazon’s on-site first-aid
    clinic that workers were under pressure to hit targets and were
    suffering injuries in the rush to collect products

  • Workers were
    expected to cover more than 10 miles a day in the warehouse collecting
    items, but water dispensers to ensure they avoided dehydration were
    regularly empty

  • The reporter was told she had to sign an
    opt-out of the working time directive, which limits weekly hours to 48,
    in order to get a job.

The reporter was employed as a “temporary
warehouse operative” at Amazon’s vast plant in Fife. She worked in the
“picking” department, which involved retrieving items from across
several floors of the sprawling warehouse, according to orders displayed
on a handheld scanner she was given. She worked at least 10 hours a
day, with an unpaid 30-minute lunch break and two 15-minute paid breaks….

Under the system
set out in the Amazon temporary associate handbook, half a point is
issued to recruits who are late to work or late back from a break; one
point for “one period of sickness”; and three points for “no call, no
show”. The undercover reporter was told that anyone who was more than 30
seconds late in arriving at work or returning after a break would be
subject to the half-point penalty.

Workers were also told that if
they made more than one error a week in collecting items or failed to
hit productivity targets they could be subject to a disciplinary
process, which could result in dismissal.’

how the fuck are the unions allowing this???? disgusting

Support the Amazon general strike today, July 10th – do not buy from Amazon! Even if your intention is to make some kind of statement with your purchase – don’t, this is (as other bloggers before me have said) the equivalent of crossing a picket line and still handing them profit!

Sick Amazon ‘elves’ face sack

my-name-is-fireheart:

voidbattlemage:

weedle-testaburger:

thescotchinthenorth:

arthicat:

elphabaforpresidentofgallifrey:

breaking bad, fight club, rick and morty, clockwork orange, and the catcher in the rye are all arguably good things – but if a man says they are his FAVORITE book/movie/tv show? RUN.

Can someone explain this to me?

They’re all works that are examinations of compelling but deeply flawed (usually narcissistic and violent) men. People rightly like all these works because they are good, but the implication of the original post is that if a guy says they are his favorite work, he is probably misunderstanding the point of the work and instead idolizing the male protagonist and is unable to recognize their flaws.

Basically, ask why they like it. If they like it because they think it’s well-written and made, you’re probably good. But if they want to be like Walter White, or Tyler Durden, or Rick Sanchez, or Alex DeLarge, or Holden Caulfield: yeah, RUN.

Finally I can reblog this post.

Also if they like Quentin Tarantino and that comes with no caveats

duckwhatduck:

starfoozle:

executeness:

glumshoe:

queenofthefae:

glumshoe:

Clarification: is there a set, standard amount of time, such as “one second”, that a “measure” of music lasts…? I understand that “4/4 time” means “four beats per measure”, but unless the length of time a “measure” lasts is consistent between songs, how does that make sense?

absolutely not; timing in music is not dependent on measure length, but instead based entirely on tempo. there ARE certain time signatures that are typically faster, such as 6/8, but there is no true standard and even 6/8 can be slower than 4/4, depending on the tempo. hope that helps!

who is responsible for this

Larghissimo — very, very slow (20 bpm and below) Translation*: plenty of time to get distracted between measures. Or notes.

Grave — slow and solemn (20–40 bpm) Translation: just serious enough for nervous laughter during rests. Avoid eye contact with anyone.

Lento — slowly (40–60 bpm) Translation: it is actually possible to fall asleep while playing an instrument, to the confusion and horror of your teacher.

Largo — broadly (40–60 bpm) Translation: dramatic grand gestures while sober. Think sweeping.

Larghetto — rather broadly (60–66 bpm) Translation: dramatic grand gestures while drunk. Slightly more manic or erratic

Adagio — slow and stately (literally, “at ease”) (66–76 bpm) Translation: Julie Andrews, Queen of Genovia, is entering the room. Plenty of time to focus on hitting the right notes b/c u cannot fuck this up.

Adagietto — rather slow (70–80 bpm) Translation: the high school graduating class of 2018 is entering the room. 40% elated 70% bored. Mostly restrained by the staff, still want this over with.

Andante moderato — a bit slower than andante. Translation: a steady meander in the woods. Fast enough to be interesting, slow enough to savor.

Andante — at a walking pace (76–108 bpm) Translation: CPR speed! Do you have Stayin Alive or Another One Bites the Dust in your head? Either way good luck remembering your melody now.

Andantino – slightly faster than andante. Translation: Just saw someone you do NOT want to talk to but you don’t want to draw attention. Always feels slightly forced. That’s fine.

Moderato — moderately (108–120 bpm) Translation: Marching is the tenuous balance between comfortable speed for walking and comfortable speed for music. Much easier when not in a parade.

Allegretto — moderately fast (but less so than allegro). Translation: the piece is probably in moderato but you’re having fun! You totally got this! Everything’s a bit fast but you’re still hitting all the notes! Go you!

Allegro moderato — moderately quick (112–124 bpm) Translation: Approximately dancing speed, depending on your confidence and the degree to which you know where all your limbs are at any given time. Jam a little in your seat. It’s okay.

Allegro — fast, quickly and bright (120–168 bpm). Playful, for flirting without words. Wink as needed without losing your place.

Vivace — lively and fast (≈140 bpm) (quicker than allegro) Translation: That was probably too much coffee but it’s FINE. It’s probably not physically possible for your heart to beat out of your chest.

Vivacissimo — very fast and lively. Translation: Either you’re showing off or the composer wanted you to suffer. Probably the former.

Allegrissimo — very fast. Translation: You’re not one of those aerobic respirators are you? You can breathe when we finish this piece. Hold on for the ride.

Presto — very fast (168–200 bpm) Translation: use popcorn popping as your metronome. Doesn’t actually have a regular beat but at this speed neither do you.

Prestissimo — extremely fast (more than 200bpm) Translation: you don’t know what’s happening and neither does your conductor if you have one. Reeds are splitting, strings are snapping, wind instruments can’t feel their tongues. Flail your fingers and prey.*.

(http://www.classicalmusiccity.com/search/article.php?vars=446/Basic-Tempo-Markings.html)

*I haven’t touched my flute in four years

**Yes I meant prey I’m a godless carnivore

#is this the schmidt pain index of tempo #did you personally allow different tempos to bite you

And then there’s cut common time, for when you just want to upset everyone as well as make them play really fast. And pretend you’re normal 4/4 when you’re NOT, YOU’RE A TRICKSY DUPLICITOUS MEANIE