not to be all “tw*light did nothing wrong” but misogyny honest to god killed the hunger games
it was no masterpiece sure but it also sure as hell wasnt the love triangle bullshit everyone made it out to be. seriously everyone blames this whole “YA fiction with the special One and teens overthrowing the oppressive government tropes” trend on the hunger games but the truth is that none of those books are anything like thg
god!!! im mad!! name one cliche YA novel where the government actually is BAD like not just “oh love is illegal” or “they barcode you!!uwu” instead of like. actual slavery and rampant poverty while the rich waste their money on dumb bullshit!! and name one main character who ACTUALLY suffers under the government’s regime!! who actually starves and works and suffers and has genuine REASON to rebel!! thg is the only YA book that had anything to say about wealth disparity and the dehumanization of the poor,, every other YA book uses it as a plot device to put some dumbass romance together or show how “badass” the MC is!! thg is genuinely emotional and the focus of the book isnt katniss’s archery and how cool she is and its NOT gale or fucking peeta bread. and then the marketing for the stupid fucking movies took the WHOLE POINT OF THE BOOK (which is to satirize and critique how women in entertainment have any serious things about them ignored in favor of whatever dress theyre wearing or who they’re dating) and turns that into……….. a fucking love triangle. and then the world forgets it because its just another dumb teen girl series. okay.
Me @ myself rn
oh also last thing. the fact that at the end katniss chose to kill Coin (the rebel leader/soon to be newest dictator) instead of just having a plain and simple boring happy ending shows just how different thg is from the YA fiction its compared to. no other book in this genre would have the guts (or even the idea) to put out such a blatant, obvious “the fight against oppression never ends, stay diligent” message and thg is iconic for it and it shows how much thought was actually put into its message. im sorry to susan collins for my 12 yo self for not understanding at the time and thinking it was just bad writing
thanks to everyone adding on about the representation! about finnick’s story and being trafficked! and about peeta and his disability!! and katniss and her indigenous coding and PTSD!! And about how it shows how war n dictatorships always prey on marginalized groups!! and a billion other things!!! that the movies just fucked off n forgot about!!!
creating venom without spider-man has created the greatest dynamic between eddie and venom that has ever existed. they aren’t bonding over being hating peter parker, they’re bonding over the fact that they’re both complete losers. they’re two losers that love to eat junk food out of the trash and they can combine together to form an eight foot tall space monster.
listen just because a song was written before 1920 and has a fiddle in it doesn’t make it a sea shanty
I saw a ‘sea shanty playlist’ with finnegans wake in it and I almost died
a sea shatny is an unaccompanied work song with a call and response structure just because a folk song is about the sea doesn’t make it a shanty
actual tall ship sailor here! this isn’t quite accurate. there are two main categories of sea shanty: working shanties and fo’c’sle shanties.
working shanties are (obviously) songs sung while working. they typically have a steady beat and a call and response format – useful not only for keeping a massive crew all hauling on a line / heaving on a capstan together, but also for not becoming mind-numbingly bored as you do this for hours on end (raising an anchor could literally take an hour in the days before hydraulic windlasses and propeller-driven ships. last time i did it, even with using the ship’s engine to get us over the anchor, it took about fifteen minutes of constant work to get the anchor up). there are subcategories of working shanty based on what kind of work you’re doing (short haul, long haul, capstan e.g)
fo’c’sle shanties (short for forecastle, where the common jack tar would sleep/hang out) are another story. they were sung purely for entertainment, sort of like campfire songs. as such, they are much freer in form – they often aren’t call and response, and they rarely keep as steady a beat.
either of these two categories can be accompanied! the shantyman would often play the fiddle while standing on the capstan as it rotated, and of course in fo’c’sle shanties anything goes. besides, if you wouldn’t slam a traditional irish tune for having guitar playing chords behind the melody (an innovation that only came about in the 1970s, and piano accompaniment in the 1920s, prior to which everyone just played the melody in unison), there’s no need to slam a shanty for having accompaniment, even non-traditional accompaniment. it makes stuff sound nicer!
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